An
impressive screen presence when at his most troubled (A Room For Romeo Brass,
Dead Man’s Shoes) but also at his most comedic (Hot Fuzz, Le
Donk), Paddy Considine utilised his film experience to work behind the
camera when directing his debut feature film, Tyrannosaur. The result
was a painfully affecting piece, full of consummate performances and an
uncomfortable mise-en-scène.
4.
Richard Ayoade (Submarine, The Double)
After
co-creating the oddball comedy Garth Marenghi’s Darkplace, Richard
Ayoade built a cult TV following through his rôles in The Mighty Boosh
and The IT Crowd, before securing the funding to adapt and direct Submarine
for the big screen. In keeping with form, Ayoade managed to perfectly
capture the tragic humour within the soul of a misunderstood loner. The
future is also bright for Ayoade, who is set to direct The Double – a
comedy in which Jesse Eisenberg is driven insane by his doppelganger.
3.
Ben Wheatley (Kill List, Sightseers)
Another
director to have emerged from British television, Essex-born Ben Wheatley built
his career directing alternative comedies The Wrong Door and Ideal
before making the jump to film with his low-budget debut, Kill List. The
gory and unsettling crime-thriller-horror was an intriguing film somewhere
between Lock, Stock… and The Wicker Man that, though critically
divisive, was masterfully shot and edited. His next offering, Sightseers,
is due for release at the end of 2012, and promises to be a similarly
genre-bending macabre comedy.
2.
Duncan Jones (Moon, Source Code)
Son
of the legendary David Bowie, Duncan Jones’ won the BAFTA for Outstanding Debut
in 2008 for Moon. The sci-fi mystery heavily borrowed from Kubrick’s 2001,
but was a cold and well-photographed film in its own right. His second film was
the similarly mind-bending Source Code. Underrated during a strong
cinematic year, Source Code mirrored Moon in developing a
high-concept mystery around a powerless protagonist. Jones will seemingly be
breaking this mould in the near future, and is currently helming an Ian Fleming
biopic slated for 2013.
1.
Steve McQueen (Hunger, Shame, Twelve Years A Slave)
Steve
McQueen began his career enjoying success as an artist, which peaked with a
Turner Prize win in 1999. After creating several silent, black-and-white short
films, McQueen made his feature debut with Hunger in 2008. The mostly
dialogue-free film, bar a seventeen-minute single take of conversation halfway
through, is an immensely powerful piece chronicling the last days of Bobby
Sands. McQueen’s second feature, Shame, focussed on sex addiction and
was an even more exceptional work – showcasing the director’s unparalleled
ability to draw great emotion from simple imagery, as well as featuring a
career-best performance from Michael Fassbender. His upcoming project, Twelve
Years A Slave, is set to feature a star-studded cast and follows the story
of a young man sold into slavery in 19th century New York.
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